The 73MPL delivers very pleasing Neve-ish tonalities from clean to dirty and everything in between. Go Go squid is an e-sport drama. Der kalifornische HerstellerBrent Averill, bietet nun einen einzigartigen Shoot Out an: einen kostenlosen Direktvergleich eines Vintage Neve 1073 mit einem BAE 1073 im eigenen Studio! High-pass Filter (18dB/oct slope): 50, 80, 160 and 300Hz. My pick of the bunch are the BAE 1023L preamp/EQ for power of sound and flexibility of use, and the AML 54F50 Comp/Limiter for smashingly classic compression effects. Re: BAE 1073 vs. AMS Neve « Reply #45 on: February 10, 2006, 01:42:57 pm » I read intently thru the thread and there seems to be a lot of pent up anger based on personal loyalties to one product or group or idea over another. Were they worth waiting for? I started my ‘rack of Neves’ banquet with … A stepped compression ratio selector (1.5:1, 2:1, 3:1, 4.1, 6:1) and continuously variable overall gain make-up control round out an action-packed front panel. Super fun, cute characters, handsome … Heritage Audio HA-73 EQ ELITE, Warm Audio WA73-EQ, BAE … After just the first couple of hours playing with the AML 54F50 I found myself scanning my racks wondering what else I might have to sell in order to buy one, or maybe two. The bottom end of this module packs some real power while the mids give great ‘voicing’ options and the top end is super sweet and musical. I started my ‘rack of Neves’ banquet with the entrée-sized BAE 73MPL. The BAE 1073DMP Desktop Mic Pre packs the warm tones of the legendary 1073 preamp into a portable desktop chassis with built-in power supply. The large faceplate means a spacious layout with large Marconi knobs for all major controls and the classic concentric knob approach to the EQ (the outer ring selects stepped frequencies and band bypass while the inner knob control adds gain clockwise and subtracts it anti-clockwise). Neve vs BAE vs Daking vs Great River If this is your first visit, be sure to check out the FAQ by clicking the link above. I was able to capture larger than life kick drums, electric guitars and vocals using various combinations of the EQ bands and the high-pass filter to really shape the sounds. Sacrificing compactness in order to deliver comprehensive tonal control is the 1023L – a three module-sized behemoth that again uses the 1073’s preamp section but adds an expanded three-band EQ section plus low cut filter. Sound Test Vintage Neve 1073 vs BAE 312A Performance - RustGL Mic - Vintage U47. The trade-off for this missing feature is a very significant difference in price with the AML unit being exceptionally good value for money and the BAE being more of a ‘you get what you pay for’ type of deal. Re: BAE 1073 vs. AMS Neve « Reply #39 on: January 25, 2006, 05:33:34 pm » I don't know if Gibson vs. Epiphone is such as great example because, while theoretically the Gibson should play and sound better, that's not always the way it works out. There’s also a DI input on the front for ease of access. The 73MPL delivers very pleasing Neve-ish tonalities from clean to dirty and everything in between. You may have to register before you can post: click the register link above to proceed. If the available attack times aren’t quite doing what you require of them, AML has thoughtfully provided internal jumpers to tweak the compressor and limiter’s attack times; adding further flexibility to the unit. The three EQ bands and high-pass filter can be independently bypassed and there’s a global The Neve 1073 channel module, designed back in the early 1970s, is probably the most revered and most copied preamp design on the planet, with … (Oddly enough the two original 1073 units sounded more different from each other than either of the clones (BAE or mine) did to the original "golden" unit. BAE takes more out of Neve’s 1084s book than its 1073, with selectable frequencies for the high shelf, and the same frequency selection as the 1084 in the high pass filter. To my ears the low end EQ band doesn’t quite have the extension of the BAE though this is a relatively minor criticism. This documentation is posted here as a service to those who have this equipment Re: BAE 1073 vs. AMS Neve « Reply #7 on: January 03, 2006, 10:47:28 am » I have never used a Vintech personally, so take my comments with that caveat in mind. The three EQ bands and high-pass filter can be independently bypassed and there’s a global EQ bypass as well. As with the 73MPL, gain structures are very versatile thanks to the output attenuator. Check out the Vintech stuff, I think its very well made and deserves consideration. I can send you the initial WAV files upon request. What impedance was the AMS unit set at? The front panel is simplicity itself, with one large stepped rotary control for preamp input and another smaller knob for output control. HF Shelf (±16dB gain): 10, 12, 16, 20 or 24kHz I can easily see how someone else would … Remember Neve back in the day made everything hand made which means whomever does tech work on vintage modules or even new up to date modules will not wire it the same way. This unit is inspired by the much-loved Neve 2254 while adding a few variations of its own. There are a few differences from the BAE 1023L worth noting. This site is protected by reCAPTCHA and the Google There’s no fighting it! What … 113 (5 / 5) Dass wir den Golden Age Audio Pre-73 Premier im Test haben, ist kein Wunder: Welcher Recording-Enthusiast träumt nicht von einem oder am besten gleich einem ganzen Rack voller originaler Neve … HF Shelf (±16dB gain): 10, 12, 16, 20 or … But once again I hope you look at the Vintech stuff, its very impressive. Neve 1073, 1081, 1066 or 1084 Would love to know from Neve users the fundamental differences but most importantly, specific uses (ie. If there’s one thing the 1023L excels at it is delivering a sense of real power. Contact Us Out Of Stock Vintage Neve 2254 Pair $ 12,000.00-SOLD-Neve 2254 limiter/compressor pair racked with power supply. At lower thresholds and ratios with a slow attack speed (25ms) the compressor is sweet and subtle while dialling more aggressive amounts lends sounds the familiar thickness and harmonic enhancement that the vintage Neve modules are so famous for. The last course of my ‘Neve-orama’ banquet was another 500 series goliath, the three-module sized AML 54F50 compressor/limiter. AML sticks strictly to the 1073 script with its frequency selection; it’s an exact replica. There were a lot of knobs begging to be fiddled with and plenty of things that needed recording and mixing in the studio so it was a pleasure to roll up my sleeves and get stuck into a steady diet of Neve for the month or so I had possession of the rack. My pick of the bunch are the BAE 1023L preamp/EQ for power of sound and flexibility of use, and the AML 54F50 Comp/Limiter for smashingly classic compression effects. Anyone want to weigh in on this decision or by some miracle have experienced both? The BAE 10DC is a single channel compressor / limiter with transformer-coupled Class A discrete electronics, similar in sound and function to the Neve 2254. Neve: Klingt stabil und offen, sehr gut, aber nicht wie ein alter 1073 eher eine moderne Interpretation. That their 1073DMP is used by bevy of top artists is testimony to their success. The AML ez1073-500, its take on the Neve 1073, is a two rack-space module with full preamp and EQ functionality built and tested in England. Required fields are marked *, AES 2015: BAE AUDIO RELEASES COMPRESSOR, EQ & PASSIVE DI AT AES, 14 Steps to a Better Recording – Producing Lime Cordiale, Antelope Audio Orion Studio Rev. Adhering to the original’s faceplate layout, the 54F50 features the distinctive vertical VU meter on the left hand side flanked by a series of small toggle switches controlling global bypass (SYS), limit and compress Off/Slow/Fast recovery times and Input/Output/Gain Reduction metering. In any case I can’t help feeling like the whole Neve thing is way overblown… and yet every time I track through Neve preamps, mix on a Neve console or run something through a Neve compressor there’s that sound again: the sound of countless great records and doubtless many more great records to come. The compressor and limiter circuits work well together, and while finding the right interaction of the two involves some careful tweaking, the results are vivid and extremely musical on everything from solo instruments and voices to programme material. - Kyle, what do you have to say for yourself? Ut rhoncus risus mauris, et commodo lectus hendrerit ac. It's amazing how well they succeeded. The DI also sounds great on bass and synthesizers and I found myself using this feature quite a bit with great results. All in all the 1023L is a very imposing unit. Indeed BAE and AML are two companies (American and British respectively) that wouldn’t dream of putting up any resistance and are delighted to go with the flow and give the people what they want: accurate yet modernised Neve recreations at more attainable prices in everybody’s snack pack favourite, the 500 series format. St Ives transformers. The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry. BAE 312a's, 1272, and 1084's sit in Studio A, and Studio B and C are all BAE 312's. File couldn't be read by my .pdf reader so I don't know what it was... on the other stuff... cool. 2017 Audio Interface. The last course of my ‘Neve-orama’ banquet was another 500 series goliath, the three-module sized AML 54F50 compressor/limiter. But a very good friend of mine bought one for his main mic pre. I’m not sure whether it’s the online frothing of nerdy engineers and producers, the dewy-eyed look the Neve name elicits from young up-and-comers, or the increasingly obscene asking prices of genuine vintage items offered up on Ebay and Reverb.com. But does it deliver the familiar Neve sound? The amount of sustained interest in the 1073 has meant AMS Neve has also thrown its hat in the ring. I think the challenge is to buy well designed products and not pay to much for the Branding value. There are now several Neve 1073‑inspired preamps available — but they're not always 100 percent faithful to the original design. To list but a few, models from BAE, Phoenix Audio, Heritage Audio, Warm Audio and more have claimed to bottle the essence of the immortal device, with varying degrees of cost and component quality. Between these are the large push-buttons for Hi-Z input, phase reverse and phantom power selection. AML has approached the faceplate layout differently by using smaller, separate rotary pots to select EQ frequencies and to boost/cut them. But there might be other factors (such as microphone choice or room acoustics) involved as well. I have vintage 1073s and a BAE 1023 and 1073MPF, all are great. Done up in classic RAF blue-gray livery, the hand-wired, transformer-coupled, pure Class A 1073MP is quite versatile, with 71dB of gain that lets you capture subdued sources with your … MIX MASTERS: DISTORTING TWENTY ONE PILOTS FOR SUICIDE SQUAD, HERITAGE AUDIO ’73 JR & ’73EQ JR 500 Series Clones, BITTORRENT OPEN PAYGATE BUNDLES GIVING A 90% CUT TO ALL MUSIC ARTISTS. Re: BAE 1073 vs. AMS Neve « Reply #25 on: January 12, 2006, 01:27:42 pm » Back on topic:Ive used the Averills and originals side by side in an old 80 series console and in racks.. and it's all good in the hood..many neve purists fooled by the BAE's here.noone can tell the diff..if you need the N word on front … The entire EQ circuitry can also be hard-bypassed using one of the sturdy white push-button switches. Maximum microphone amplification is slightly lower at +65dB and there is no output attenuation, meaning if you want to drive the ez1073’s input hard you will need to patch it into another device in order to damp down the output level (the CAPI Missing Link is a popular choice for this). Their reputation as ‘the next best thing’ to the originals has been earned on the back of consistently excellent build quality, parts sourcing and circuit design. Тестирование микрофонных предусилителей Vintage Neve 1073, BAE, API, V72 и т.д. The three EQ bands and high-pass filter can be independently bypassed and there’s a global EQ bypass as well. The unit delivers lovely analogue flavours that definitely have the Neve thing going on. They are your support system, who make the world a better place and the life worth living! The main drawback of the module is the lack of output attenuation but again this is easily fixed by using an inline pad or second preamp/compressor downstream. You may have to register before you can post: click the register link above to proceed. Having said that I’d happily have any of these modules in my rack. Reply. But does it deliver the familiar Neve sound? Sounds can be magnified and made more aggressive without becoming harsh or tonally compromised, drums can go smash or splat in the best possible way and vocals are leant an extra dose of weight and smoothness with harsher digital transients massaged into warmer analogue contours. The 73MPL is essentially the preamplifier stage of the Neve 1073 circuit, optimised as a compact 500 series module with a few mod-cons such as DI and impedance switching thrown in. Its kits, as well as more recent forays into fully assembled modules, have met with great success and the word on the street is its Neve recreations are exceptionally good value for money. Find great deals on the Neve 1073 on Reverb.comClick Here https://reverb.com/marketplace?utm_source=shnobel&query=Neve+1073&_aid=shnobelThis is … Its wide faceplate and large controls certainly proclaim it as a heavyweight in the world of 500 series modules. BAE (Once Brent Averill Enterprises, now British Audio Engineering) has been racking and recreating vintage Neve circuits longer than just about anyone else in the game. Heritage Audio. The 73MPL can function as a line-level driver and also features a switchable impedance of 1200 or 300Ω to optimise for various microphone sources. Prospective buyers need to consider this, as driving this unit for more harmonic saturation delivers some exciting and musical results. These are, however, merely a pair of bite-sized snacks compared to the five-course banquet of 500 series Neve recreations that arrived from Musos Corner one afternoon in a lovely 10-slot lunchbox. For those without the advantage of either having bought into the vintage Neve market ‘back in the day’ or being filthy rich these recreations are an excellent way to access what are undeniably great and extremely Neve-ish sounds. Hitting the limiter harder on the Fast (5ms) setting delivers more extreme results including classic Beatles-style cymbal explosions, thick-as-gravy guitars and monolithic walls of bass. Neve 1073 Plugin Comparison Uad BAE’s first 500–series product, the 1073D, packaged a full 1073 (plus additional HF EQ options and a DI input) into a triple–width module, and its asking price matched its ambition. Your email address will not be published. Please contact us for all purchase enquiries. This can be such an inflamatory topic, and due to my involvement with the Great River product I thought it best to recuse myself from this discussion... but alas, I can't keep my yap shut so here I am chiming in [where I probably shouldn't]. The Vintech 273 Re: BAE 1073 vs. AMS Neve « Reply #25 on: January 12, 2006, 01:27:42 pm » Back on topic:Ive used the Averills and originals side by side in an old 80 series console and in racks.. and it's all good in the hood..many neve purists fooled by the BAE's here.noone can tell the diff..if you need the N word on front ,pay the extra grand or so..if not ,get the Averill's,move on and make … Vintage pair of Neve 1272 pre-amplifiers with power supply. The front panel DI is selectable along with line input, phase reverse, microphone impedance and phantom power. The unit is easy and intuitive to use and, of course, it isn’t quite as hungry on your 500 series rack space. The 73MPL delivers very pleasing Neve-ish tonalities from clean to dirty and everything in between. The three EQ bands and high-pass filter can be independently bypassed and there’s a global EQ bypass as well. I have never used a Vintech personally, so take my comments with that caveat in mind. The stereo 1073MPF is the best piece of gear for tracking guitars I have ever used. allkpop works around the clock to be the first to deliver minute to minute breaking news, gossip, and the most exclusive coverage on the hottest K-pop stars. I don’t know about everyone else, but I’m getting a little tired of the extremely tall pedestal that Neve’s vintage recording equipment sits upon these days. I' ve never done this before so I'm glad I won. UAD Neve 1073 Preamp & EQ Collection with Unison technology, Neve 1073 Preamp & EQ Plug-In Collection UAD, SM7B Preamp Recommendations (ME-1NV, WA73, BAE 1073, etc). Up to 71dB of gain is available making the preamp capable of driving even very soft ribbon and dynamic microphone sources. Write to me rustgl@mail.ru Mic Vintage Telefunken U47 SN: 3959 – I … As with the 73MPL, gain structures are very versatile thanks to the output attenuator. You’d be hard-pressed to find a Neve with this many options in the mid-range band though. The three EQ bands and high-pass filter can be independently bypassed and there’s a global Within a few minutes of running my first guitar and drum sounds through the AML 54F50 it was apparent this unit was going to dish out sumptuous amounts of tasty Neve-style gain reduction without raising a sweat. Neve's venerable 1073 preamp and equaliser are both now available in API's popular 'Lunchbox' format. It’s gluey, thick, musical, undeniably satisfying, even culturally significant, and nothing else out there quite does the same trick. In addition to the muscular quality of the preamp sound itself, the EQ can be used to great effect, boosting the low mids and cutting frequencies below to really pump up the perceived weight of instruments like electric guitars, drums and keyboards. … Does anyone know a drama that was cute has this one maybe an age different like this one. Big, robust, musical, dependable, and amazing - empirically. The classic Neve 1073 wrote the book on characterful mic preamplification, so in designing a desktop mic preamp/DI box version, BAE aimed high. Now, with the release of the 1073MPL preamp and B15 EQ, the company have adopted the more widespread approach of splitting a 1073 into two single–width modules. I usually prefer the neve on vocals and the BAE on guitars. I have the budget for the Neve classics, but the workmanship and sound on the BAE's are I found I needed to take care with this module not to overdo the input gain on loud sources as the sound could blow out quite easily, but it was no problem to adjust input and output levels to get just the required amount of thickening and juiciness out of this box. 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