} Re: BAE 1073 vs. AMS Neve « Reply #35 on: January 24, 2006, 07:29:11 am » Baxandall's work was the basis on which many early designers built their new designs. I cant imagine mixing without them. It has the punch I need to cut through and with keys it just makes it sound richer vs a straight DI. Neve 1073LB 500 Series Mono Microphone Preamp 500 Series Mic/Line Preamp Module with 80dB of Gain, Neve Marinair Transformers, Gain and Trim Controls, 48V Phantom Power, Audio Processing Insert Feature, and Polarity Reverse ... BAE 1073MPL … From the point to point wiring, to the audio  traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship and wow! I have used vintage Neve's for years and the BAE pres are identical in every way. display: inline !important; It has that classic 1073 sound but with significantly more frequencies to help you out of those tight spots. Don't take my funk for it, check it out, it's on the One! No issues whatsoever despite countless recording sessions and innumerable air miles. Today I got my BAE 1084. It really warms up your tracks and it will give you that analog sound we all love. which you can view on you tube and download on apple iTunes and amazon.com. It’s just incredible. I can’t say enough. And this new flexible EQ range on the 1023 is a dream come true for a tech head like me! "I just got my 1073MP and I couldn't be happier. It makes my tracks sound lovelier! For the road BAE have developed the DMP (desktop mic pre) which is just the preamp section. How Is Holden A Hypocrite, The Peas held the #1 spot for 23 weeks straight on Billboard (a record), and were nominated for 6 grammys with that record, so it seemed to work. On the road or in the studio my rack will never be without BAE. They just work, very gluey. BAE’s first 500–series product, the 1073D, packaged a full 1073 (plus additional HF EQ options and a DI input) into a triple–width module, and its asking price matched its ambition. Huge! opacity: 0; BAE … Going into the relationship with BAE, I was more under the impression that it would be a lot more of a studio grade thing that I didn't think would make much of a difference in the live world; and I was sorely mistaken. Thanks for your dedication to making the 70's dream alive this century! ", Mike CastonguayLukewarm Freeda Productions. My BAE 1084 will be my go to traveling Pre amp. She does have a sweet spot, and the funk founded it first, if you  wanna run with the big dogs you gotta come off the porch. These guys make some of the best new gear that rivals the vintage stuff. Big, robust, musical, dependable, and amazing - empirically. The BAE's sounded 100% identical to the vintage Neve in every way. It was stunning. All I'll say is that the BAE 1073 was way better constructed, which means I wont have to dick with it again and again. Anyway the point being, if you want the 'real' deal then you wont be disappointed with the BAE version. lf you're looking for that vintage 70's sound, look no further than BAE. No old dirty switches and pots. I was forced to be without I regretted selling the originals until I heard the BAE 1073'S. Bootsy baby!!! Thanks for making some of the best gear out there!!!! The mic pres are right on the money and the eq section imparts the magic 1073 sound to anything put through it. It's like the Reagan era never happened! My drums sound fat; they sound thick; they sound rich. They made it easy to get some of the best drum sounds I've ever heard. Bottom end is sort of a magical thing with the 1073 where you can just push it and push it; and it takes on a character, it kind of almost compresses itself in a nice way. Once we got the pre amp in here, just putting my center vocals on it, it was amazing the clarity between the center vocal and the other vocals I had on other pre amps… We love it. width: 1em !important; Some bands I have done records for: Sky Eats Airplane (Equal Vision Records)、Life On Repeat (Equal Vision Records), Of Legends Everyone Dies In Utah (Tragic Hero Records), Count Your Blessings (Standby Records). box-shadow: none !important; I use it on just about every session. "JR" Hutson is a multi-platinum, grammy nominated producer known for his work with Jill Scott, Anthony Hamilton, Earth, Wind & Fire, and Musiq Soulchild. It has got a gorgeous flavour that none of my other classic original comps have. It’s the best, honestly, I’m not just saying this. My BAE 1272's tend to really work … I'm thrilled to get this. Now with the added 20k & 24k frequencies of the BAE 1023, any remnants of the term "retro" get banished by the vitality of this units' modern functionality. 500 Series Microphone Preamplifier Module. Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood & Sting. Currently I have 8 channels of BAE in my rack[s], which are invariably called upon, no matter what it might be that I'm working on. Just like throw my five cents in. I pay for my gear. Same modular design and hand-wiring BAE is known for. Been using BAE gear for years, from racked vintage API 312's to their 6 & 11 space 500 series racks. Find great deals on these units on Reverb.comClick Here https://reverb.com/marketplace?utm_source=shnobel&query=Neve+1073&_aid=shnobelBAE 1073 vs … Vince Gill's new studio includes a stereo pair of BAE 1073's (in upper right-side rack). You really saved us. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. I use BAE 312a and 1073 pre amps on every production and every mix. I did not want a lot of outboard sitting in a rack collecting dust. From TV (Weeds, Burn Notice, America's Next Top Model, Hung) to Film (Sundance, Showtime), to music (Interscope and independents), Outloud Audio serves audio content from 5.1 mixes to mono internet feeds and BAE gear is at the heart of it all. At this level of 500-series price and performance, you’ll probably be looking at, amongst others, units such as the Neve 1073LB, the Sunset Sound S1P Tutti, the Electrodyne 501, the BAE 1073MPL… window._wpemojiSettings = {"baseUrl":"https:\/\/s.w.org\/images\/core\/emoji\/13.0.1\/72x72\/","ext":".png","svgUrl":"https:\/\/s.w.org\/images\/core\/emoji\/13.0.1\/svg\/","svgExt":".svg","source":{"concatemoji":"https:\/\/secureservercdn.net\/160.153.138.53\/5f2.604.myftpupload.com\/wp-includes\/js\/wp-emoji-release.min.js?ver=5.6.2&time=1614308244"}}; They have the clean, warm yet current sound I need for a vocal chain. I have not racked it, or tied it into the patch bay. Classic Neve ® Mic Pre for 500 series. It looks old school (which I like) and rocks in the modern realm, it's the best of both worlds. My vocal input chain is usually quite loaded. Gill commented, "The BAE 1073's were a must have for the studio and, for that matter, everyone's studio if they want the classic sound.". What impedance was the AMS unit set at? Purchasing a new 1272 this week. Which is what I want! Two thumbs way up! #catapult-cookie-bar { Hubbard Lake Fishing Map, I have owned the mic pre's,eq's and racks for years. I love it. The frequencies on the EQ very well tailored for a live environment. Producers/Songwriters. It's like getting an old car. ", In the Jan 2005 issue of Tape Op Magazine (#45), you can read my review of the BAE 312A mic preamp. Best Regards. Having that 1073 sound in such a compact and powerful unit is a brilliant idea." I comment on how it worked fabulously on drums, guitar, and piano with various mics, including ribbons. I love my BAE 10DC compressor Limiter...I have been using it for a while now.. It is a must in my chain no matter where I am. Why three? Drop by my Facebook page. " /> I have six BAE mic pre’s in my studio. Since then we've built a three room facility in New York City and BAE gear is at the heart of all the rooms. Anyone who buys the old ones at the inflated price are simply uninformed. Counting Crows built a portable studio 10 years ago and we filled it with racks of BAE pre amps and eqs. The BAE 312 and 1272 pres won hands down every time. How Many Apricot Kernels Can You Eat A Day, makes anything sing- from vocals, overheads, and even banjo strings! Eric Schilling mixed the project and it is the best sound my soprano sax has ever recorded. vertical-align: -0.1em !important; The stuff is built to last and has been a huge part of every record we have made since. My first purchase of BAE gear was a 1272 10 years ago, and it set the bar. I love my BAE gear. Aside from that for my voice I won't go through anything else. When a artist comes in and raves about the sound, invariably the chain includes a piece of BAE gear. But more importantly for me, they help create the realness and solid sound I am looking for when I use virtual instruments! I find myself running everything everything everything through these units! You know, it was something that I wasn’t expecting. I wanted timeless, work-horse items that could be used for multiple genres; something great for vocals, instruments, and my secret arsenal of virtual instruments. I've used 1023s for everything from live bass, to electric bass, female vocals, to baritone vocals. After several preamp shoot outs on the years, BAE never fails to hold the top position year after year. It's a class A, incredibly well made pre that will pretty much get you by in any situation. He has performed or recorded with the likes of Alice Cooper, Mark Farner, Roger Daltrey, Neal Schon and Bob Dylan.). It can be 100% be depended upon for giving us a comprehensive signal, rich with clarity every time. This Pre really stands out with my existing gear, which includes some vintage BAE racked Neve 1066's, and Neve/Ams 1073's. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. The 1023's sound huge, and have an incredibly smooth, and powerful EQ. The BAE 1073MP, used as a line-amp at the end of my mastering chain, smoothes out the rough edges on the top and mid as well as rounds out the low end adding a very musical warm color to my mastering. It sounds like the '70s. I love them! BAE 1073MPL Microphone Preamp. We are a big user of 1023 and 1073 modules. height: 1em !important; They make drums sound bad ass. BAE 312a's, 1272, and 1084's sit in Studio A, and Studio B and C are all BAE 312's. Devin Goda College Stats, We were so pleased in fact, that we've just bought two more BAE Neve modules- and were happy to find that they were from the same console run as those first two BAE modules. My pick of the bunch are the BAE 1023L preamp/EQ for power of sound and flexibility of use, and the AML 54F50 Comp/Limiter for smashingly classic compression effects. For the 500 Series format, Neve has split the preamp and EQ sections to offer them separately as the 1073LB … I've been using various BAE pres in other studios for years, but never had a pair in my own home studio. It takes any harshness out of female vocals and still shimmers. The 1272 is so full of tone; fat yet tight and focused. I was really impressed by the clarity. Bryant Siono’s sound was okay at first, but now it's really good. The BAE 1023 is a step up for me. I am working on my latest CD "The Last Ride" All Class A, transformer-coupled design in a 500 series module. We bought our first vintage Neve modules from BAE over a decade ago- and those two channels have been the cornerstone of the six NELSON albums since.
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